Break on Through (2024)

• 1 Plot
  • 1.1 First Scenario
  • 1.2 Second Scenario
  • 1.3 Third Scenario
  • 1.4 Final Scenario
• 2 Characters
• 3 Weapons
• 4 Transcript
• 5 Gallery
• 6 Videos
• 7 Trivia

"Bell" chooses the path to the right, making contact with a small group of American soldiers. They plan to stealthily take out a group of Viet Cong ahead. "Bell" may either go with or against the plan, killing the Vietnamese soldiers any way they see fit. Adler will tell "Bell" that there were audible Russian voices coming from a nearby cave and that "Bell" investigated. If "Bell" continues to follow Adler's orders, they will encounter both Vietnamese and Soviet hostiles, which they must clear. Proceeding through the cave, they will arrive at a red bunker door, leading into a meeting room. However, the image will fade to white, and Adler will begin a new scenario.

"Bell" follows the path to the left and arrives at a rope bridge, to which Adler is bewildered and attempts to command "Bell" to take a zipline back to the intended path. If they choose to go back to the intended path, the "Obey Adler" events will follow. However, if "Bell" continues across the bridge instead, they will encounter another firefight taking place within a Vietnamese village. After pushing through the village, an attack helicopter will level a cluster of houses, revealing the red door to a Soviet bunker. Upon entering the door, however, "Bell" will find themself in a white room with a chair. If they use the chair, the scenario will end and the player will briefly see a sequence in which Helen Park notes the effectiveness of implanted memories in mind control. Adler will begin a new scenario.

If "Bell" continues to obey Adler, they take the path to the left and arrive at a rope bridge. Adler says that the Soviet bunker was somewhere on the other side of the bridge. "Bell" crosses the bridge, and arrives at another fork. "Adler" instructs "Bell" to take the path on the right. "Bell" follows this, and will encounter a firefight taking place within a Vietnamese village. After pushing through the village, an attack helicopter will level a cluster of houses, revealing the red door to a Soviet bunker. Upon entering the door, however, "Bell" finds themself in a black room with 2 projectors. They must align these 2 projectors to create an image of another red door. "Bell" is able to open the image of the door, leading to a meeting room where Perseus is present. As "Bell" approaches Perseus, however, the scenario will abruptly end, frustrating Adler.

If "Bell" continues to disobey Adler, they follow the path to the left once more. After arriving at the rope bridge, they will hallucinate, seeing either Lazar or Park at the bridge, who will cross it and then disappear. Across the bridge, "Bell" will encounter another split in the road. Adler will tell "Bell" that they chose the fork to the right, but "Bell" may choose to take the left fork. "Bell" will arrive at a ridge overlooking a Vietnamese hut. Using a Pelington 703, "Bell" must clear out hostiles in the area to support friendly soldiers at the ridge. After roughly 30 seconds, "Bell" is asked to call in a napalm strike on the enemy position. The strike will eventually happen regardless of the player's actions. The strike will kill all enemies and destroy the hut, revealing another red bunker door. Upon entering the door, "Bell" finds themself in a laboratory hallway, where they can open several window blinds. Each window reveals hints that "Bell" was brainwashed by Adler. Opening the final window transports "Bell" to the interrogation room, where they may sit down in another chair, ending the scenario. This further angers Adler.

"Bell" chooses the path to the left, and when they arrive at the rope bridge, they witness a firefight frozen in time. They proceed to a split in the road, but the right fork is blocked. Forced to take the left fork, "Bell" will arrive at a ridge overlooking a Vietnamese hut. Using a Pelington 703, "Bell" must clear out hostiles in the area to support friendly soldiers at the ridge. After roughly 30 seconds, "Bell" is asked to call in a napalm strike on the enemy position. The strike will eventually happen regardless of the player's actions. The strike will kill all enemies and destroy the hut, revealing another red bunker door. Upon trying to enter the door, it will jam, and "Bell" will be transported to a dilapidated hallway. They will open a series of red doors, until they come across an endless version of the hallway. After running around the hallway and hallucinating the hallway shrinking around them, "Bell" will be able to turn around to see a red door directly behind them. The door opens out to the laboratory hallway again, where the floor will cave in. "Bell" will fall down next to a red door. Through this door is the meeting room, where "Bell" can interact with a terminal. Using the terminal will cause it to corrupt, until it displays the repeated message "DO NOT TRUST ADLER". The scenario will abruptly end.

"Bell" follows the path to the left again, but is forced to use the zipline back down to the cave. However, a hatch in the ground is visible, and "Bell" can enter the hatch instead of the cave. While climbing down the hatch, the ladder will break, and "Bell" will fall to the bottom. They will draw a 1911 pistol and a flashlight, as they move through a dark tunnel. The tunnel exits to a large cave, where zombies will continuously spawn until they kill "Bell". Adler disregards these events, and "Bell" appears alive at a red door. Upon trying to enter the door, it will jam, and "Bell" will be transported to a dilapidated hallway. They will open a series of red doors, until they come across an endless version of the hallway. After running around the hallway and hallucinating the hallway shrinking around them, "Bell" will be able to turn around to see a red door directly behind them. The door opens out to the laboratory hallway again, where the floor will cave in. "Bell" will fall down next to a red door. Through this door is a room filled with TVs on carts, as well as a chair. If "Bell" uses the chair, the scene ends.